Friday, December 27, 2019

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The Silence






Title: The Silence




Realese: 2019-05-16




Runtime: 91 Minutes




Genre: Horror, Drama, Thriller, Fantasy




Actor: Stanley Tucci, Kiernan Shipka, Miranda Otto, John Corbett, Kate Trotter, Kyle Breitkopf, Dempsey Bryk, Billy MacLellan, Chris Whitby, Barbara Gordon




Company: Constantin Film, EMJAG Productions




Reviews: Same story as "Sshhh" and "Bird Box", In this movie you can speak (loudly).But you can see, which is different by Netflix.



Budget:










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Uncut Gems






Title: Uncut Gems




Realese:




Runtime:




Genre: Crime, Drama, Comedy




Actor: Adam Sandler, Idina Menzel, Lakeith Stanfield, Pom Klementieff, Judd Hirsch, Eric Bogosian, The Weeknd, Robbie DeRaffele




Company: Sikelia Productions, Elara Pictures, Scott Rudin Productions




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Dumbo






Title: Dumbo




Realese: 2019-03-27




Runtime: 112 Minutes




Genre: Adventure, Family, Fantasy




Actor: Colin Farrell, Michael Keaton, Danny DeVito, Eva Green, Finley Hobbins, Nico Parker, Alan Arkin, Sandy Martin, Joseph Gatt, Deobia Oparei




Company: Tim Burton Productions, Walt Disney Pictures, Moving Picture Company




Reviews: Disney has continued their trend of live-action remakes of their animated classics with “Dumbo”. The film follows the same premise as the 1941 classic in that a baby elephant with giant ears is born into a travelling circus. Like in the animated film he is separated from his mother and soon becomes an unlikely circus act when it is discovered that his giant ears give him the power of flight.
In the new version we are introduced to Holt Farrier (Colin Farrell); who returns from WWI injured and dealing with the fact that his wife has died and he must raise their two children alone. Further complicating matters is the fact that Circus owner Max Medici (Danny DeVito), has sold the prized horses Holt used in his act in an effort to keep his struggling circus alive.
What has become a tragedy soon becomes a boon when wealthy industrialist V.A. Vandevere (
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1941’s Dumbo was never a favorite of mine. It’s a great movie with a sweet message (as most Disney flicks), but I was curious to see how a remake of a 60-min film would develop. Obviously, changes to the story not only will occur, but they need to. People have to stop desiring these live-action remakes to be a literal copy-paste of their originals and start being fair to these movies. Pure animation is different from live-action, and the latter provides a much more realistic environment than the former, so it’s evident that every remake they produce will have some “updates” in the more “silly” aspects.

Furthermore, I’ve witnessed a couple of “critics” hating this Dumbo. Hating! Calling it one of the worst films of the year! Now that’s a strong feeling to have against a movie that improves so much regarding its original. Yes, it has a bunch of narrative issues, and the dialogues can be cringe-worthy, but hating this 2019 remake while defending the original as it was some kind of masterpiece is ridiculous. Complaining about the 2019’s ending when the 1941’s is absolutely inadmissible is being a hypocrite. Whining about Dumbo not being 100% the star of the show when the original has the elephant discover his flight abilities four minutes before the end is dumb. In addition to that, this film runs for twice the original’s runtime! What did you expect?! That human characters wouldn’t be a necessary modification?

Some “critics” are even complaining about animal abuse or their unnecessary exploration … Are they joking?! Have they seen the original? Do they remember how racist it was? How discrimination was treated as comedy? Even alcohol was handled as a plot point for God’s sake! 2019’s Dumbo barely has any animal violence, and its final message is against animal captivity or exploration, so any person who criticizes this ending is either a despicable human being or not a fan of the original Dumbo, at all.

Enough about those “critics”. I feel sick just remembering what they wrote/said. Unfortunately, 2019’s Dumbo does have a lot of screenplay issues. There’s no way of denying it. The human characters are filled with cliche storylines and child-written dialogues. I know that analyzing children’s acting is not exactly a fair critic, but I’ve seen so many remarkable young actors nowadays, who make Nico Parker and Finley Hobbins performances look not that good (their scripts also don’t help). The visual style characteristic of Tim Burton is definitely present, even if its magic becomes overwhelming at times. 1941’s Dumbo was very concentrated in one small location contrary to its 2019 remake where V. A. Vandevere‘s park feels like Disneyland.

The stiff dialogues don’t help the movie’s pacing, and its tone could be better balanced. Nevertheless, just the opportunity to watch such a gorgeous, magnificent, and visually jaw-dropping live-action elephant come to life is absolutely delightful and entertaining as hell. When a character like Dumbo makes you cry when he’s crying, makes you feel sad when he’s feeling sad, makes you happy when he’s feeling happy, that’s when you know the visual effects team has reached a point where live-action is pretty much reality. The little elephant looks like an adorable little elephant. I mean, what better compliment can I give a live-action character than “it looks and feels real”?

Even with the issues mentioned above, it’s still a heartfelt story, filled with emotional moments, and a wonderful message. Technically, it might lack consistency and some overall quality, but I end up enjoying myself. Experiencing Dumbo‘s pain, happiness, and his bond with the kids flourish is special. Colin Farrell and Eva Green deliver good performances, and their character arcs, cliche as they may be, still carry some efficiency. There’s a wrong vibe surrounding the word “cliche”, like it’s a bad thing. Not at all! Something being cliche just means we’ve seen that before a lot of times, it doesn’t mean we’ve seen it performed better or worse. Dumbo is a remake of a very influential 1941 film, so obviously, cliches are a certainty. It’s a Disney tale, after all.

In the end, cliche as it might be, 2019’s Dumbo improves on a lot of aspects of its predecessor. I do believe these movies are almost incomparable since the dimension, runtime, and even the main plot are surprisingly (or not) different. Still, not remembering or even acknowledging the original not only is an absolute flaw, but it can ultimately make you a hypocrite, so be careful with what you write/say. I understand a person not enjoying this film or not liking it as much as I did, but if you hate (!) it, you better give me good enough reasons.

Dumbo is probably the most visually stunning and incredibly realistic live-action character Disney was able to produce so far. This little elephant alone is worth the price of admission. His arc is way bigger and complex than the one in the original, which can either delight or disappoint you. To me, it not only worked, but it finished strong and way better than the original. It’s upsetting that the screenplay couldn’t accompany Burton‘s impressive visual style, even if overwhelming at times, as well as the human characters who feel a bit detached from the actual story to tell. It’s still a good time at the movie theater, so go see it!

Rating: B
The visuals are done well, but this movie is crowded and there wasn't enough working room to make this the great movie I'd hoped for.



Budget: $170,000,000










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Tottaa Pataaka Item Maal






Title: Tottaa Pataaka Item Maal




Realese: 2018-01-01




Runtime: 107 Minutes




Genre: Drama




Actor: Shalini Vatsa, Chitrangada Chakraborty, Sonal Joshi, Ahmareen Anjum




Company:




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Thursday, December 26, 2019

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Shazam!






Title: Shazam!




Realese: 2019-03-23




Runtime: 132 Minutes




Genre: Action, Comedy, Fantasy




Actor: Zachary Levi, Mark Strong, Asher Angel, Jack Dylan Grazer, Adam Brody, Djimon Hounsou, Faithe Herman, Meagan Good, Grace Fulton, Michelle Borth




Company: DC Entertainment, DC Comics, New Line Cinema, Warner Bros. Pictures, The Safran Company, Seven Bucks Productions




Reviews: Growing up I was a regular viewer of the Shazam and Isis “Super Power Hour” on television. Back before the days of mega-budgeted Super Hero movies; we had to content ourselves with cartoons and low budget television offerings which did their best to capture the look and action of comic characters within the budget and technology limits they had to deal with.
Warner Bros. has brought their latest DC hero to the big screen with “Shazam!” and it looks to launch a new franchise for the studio and build on the success of “Wonder Woman” and “Aquaman” following some earlier disappointments with their planned hero franchise films.
The film follows the story of young Billy Batson (Asher Angel), who has grown up in and fled several Foster Homes after being lost at a Carnival years earlier and unable to find his mother. Billy has never stopped trying to find her and even takes extreme measures to try to find her that has gotten him in trouble with the law.
While trying to stick up for a family member at his latest Foster Home; Billy is forced to flee from some local goons and finds himself facing an ancient Wizard (Djimon Honsou; who tells him he will now have superior powers when he speaks his name as he is now a guardian against the forces of evil.
Billy does not believe this but upon uttering the name; he transforms into a powerful hero in adult form. Zach Levi plays the title hero and soon finds himself eager to test his new powers and his Super Hero obsessed Foster Brother is more than happy to mentor him and make all sorts of viral videos of his efforts and training.
Their efforts soon draw the attention of an evil individual (Mark Strong), who covets the power Billy has for himself as along with the Seven Deadly Sins; he looks to become an unstoppable force for evil and sets out to destroy all that stands in his way.
The film is aimed more for a younger audience as much of the humor is squarely focused on Middle School level jokes. There are more than a few references to “Big” along the way which does sum up a good portion of the backstory as when he is in hero form; the young boy without a family is a popular and dynamic adult.
In many ways this was one of the more odd aspects of the film. Billy is a dour and untrusting individual most of the time; however when he is hero form he is a jovial and goofy individual who acts like a teenager. I could see an increase in confidence but it is odd considering that they are the same person.
Levi is very energetic in the part and goes all in and he does a great job of conveying a kid in a man’s body. The biggest issue with the film is that there is mostly a lot of humor aimed at a much younger audience and large gaps with minimal action which made sitting through numerous childish antics a bit tedious at times.
Despite this; the film was entertaining and one of the better adaptions of a comic. The door is wide open for future adventures and I look forward to seeing what they come up with next.
3.5 stars out of 5
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First of all, I didn’t know anything about Shazam. What his powers were, what story did he have … Basically, I didn’t know who he was. This is what David F. Sandberg‘s movie does best: introduce the audience to a new DC superhero, by delivering an uncommonly well-structured comic-book screenplay, packed with laughter and entertaining action. Zachary Levi is undoubtedly the standout! Not only is he hilarious, but he perfectly captures the childlike personality that a kid-turned-adult would have. His expressions of absolute surprise and awe of his powers are extremely precious, and he effortlessly carries the more lighthearted tone on his shoulders.

Asher Angel is brilliant as Billy Batson. His character has a notably well-written and well-explored backstory, which eventually justifies the person he has become. It’s the most emotional and heartfelt subplot of the film (probably the only one, really), and Henry Gayden did a fantastic job writing its script. It doesn’t feel cliche or over-the-top, it actually feels grounded and quite realistic. Jack Dylan Grazer plays his best friend, Freddy Freeman, and he’s the primary source of self-aware comedy. He knows all the cliches regarding superheroes and supervillains, so his jokes constantly land and play seamlessly into the last act.

Usually, villains tend to be hollow characters with paper-thin motivations, but since a few years ago, this issue has gradually been corrected. The latest comic-book movies have incredibly well-developed villains, who carry a compelling backstory that entirely supports their beliefs, but not their actions. This type of villains work because not only the audience can understand where they come from, but in some cases, they can even connect with and care about them. Dr. Thaddeus Sivana is not exactly someone the audience ends up caring about, but his backstory is emotionally powerful enough for us to understand where his motivations originate from. Mark Strong delivers a menacing performance, and his costume/make-up looks pretty badass.

The first act is kind of a mixed bag. It starts in a very captivating way, and once you understand who’s the character at the center, it gets even better. However, the film’s tone takes long to establish itself, and the beginning of the movie struggles to find which jokes land and which don’t. The humor is on-point throughout the rest of the runtime, but those first few jokes not so much, which threw me off a little bit. The action sequences are amazing, and the sound design allows the audience to feel every punch, kick, a fall on the ground or a Superman-ish take-off. The fight sequences are seamlessly edited, and you know how much I love well-choreographed or well-edited action scenes.

Shazam‘s search for his powers provides the funniest and most entertaining moments of the film. Each test that he puts himself through is both hilarious and informative. This is another aspect of the screenplay I love so much: they had several ideas of how to approach this segment, and they nailed every single execution. From the pop-culture references to the hero-villain cliches, Sandberg did a terrific job exploring those concepts, and he executed them flawlessly. The best jokes are the ones that can be funny on different levels for different people. If people can laugh at a particular scene solely due to it, but other people can laugh even more because that moment means so much more to them, that’s when you know a joke is perfect. Shazam is not only funny for comic-book fans, everyone can leave the theater entertained and jolly.

It’s still a straightforward superhero movie. There’s still a villain to defeat, and the film goes through all of the cliches that it makes so much fun of. Everyone knows how it’s going to develop, plot point by plot point, a few minutes in. Not that I consider this a flaw, it’s just … It is what it is. The final battle drags too much, and it keeps ending and restarting every five minutes. It does have a pretty cool conclusion, but it takes a bit too long to get there. Also, and I know that this is one of those logical nitpicks that CinemaSins are known for digging, but the flashbacks and time-jumps could have received better treatment concerning the age of the characters. One thing is to think that the characters would look much older/younger than what they display on-screen, but when they make them look exactly the same in the span of 30/40 years … Not so acceptable.

All in all, Shazam is a blast! It’s the most entertaining movie I’ve seen so far this year, and it’s freaking hilarious. It continues the comic-book films trend to change how villains are written, by delivering a well-developed bad guy, menacingly portrayed by Mark Strong. Every member of the cast gives a strong performance, but Zachary Levi steals the show. His whimsical attitude, reckless personality, and rich facial expressions are guaranteed to entertain you for most of the runtime. Asher Angel and Jack Dylan Grazer are outstanding as the young kids, and the former’s backstory carries emotional impact which passes on to the big guy he transforms himself into.

The action is packed with beautifully-edited sequences, powerful sound design, and cool, unique moments, but the supposedly climactic final battle drags too much. The first act struggles to find its rhythm and its tone, but once it gets going, it’s an exceptional journey. The best praise I can give Sandberg‘s movie is that I didn’t know anything about Shazam before entering the theater, and now I can’t wait for its sequel. Well-directed, well-written and remarkably entertaining. What more can I ask? Go see it!

Rating: B+
It's entertaining, it has heart, and it's joyful. It has been proven time and time again that these things are what is required for a good Superhero film.
After the spiderman movies, this has to be the most annoying superhero movie I've seen to date. It took nearly an hour for the movie to actually get interesting and during that whole time one is treated to 2 super annoying teenagers.

Honestly, I'm glad I didn't go to the cinema for this otherwise I'd constantly be reaching for remote to press the fast forward button. About the only redeeming quality of this film was the picture and acceptable acting from everybody involved. Pity everything else was bad.

There's no way I'd willingy watch this again. No way.
Definitely has its moments, bit in total the movie feels inconsistent which kills most of the buzz. It switches from rather serious scenes where people actually get hurt to PG-6 compatible simple humor back and forth a few times.
With ever transformation the whole character changes, Shazam acting more like a 5 Year old than the 15 Year old Teenager he's supposed to be.
Freddy sometimes acts downright malicious, which is not a problem per se except that everyone else doesn't really seem to be bothered much by it.

Still not a bad take on the comic, but it feels inconsistent and left me wondering what age the target audience is supposed to be ...



Budget: $80,000,000








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The Last Summer






Title: The Last Summer




Realese: 2019-05-03




Runtime: 109 Minutes




Genre: Comedy, Romance




Actor: K.J. Apa, Maia Mitchell, Jacob Latimore, Halston Sage, Tyler Posey, Mario Revolori, Sosie Bacon, Gage Golightly, Greer Grammer, Nicole Forester




Company: Redrover Co. Ltd., Gulfstream Pictures




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Above the Shadows






Title: Above the Shadows




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